07.20
Skopsko leto
Sreda, 21.7.2010.
Fakultet likovne umetnosti – Suli An, Stara čaršija
21h
Videografija regiona: Video produkcija u Srbiji 2008-2010
Urednica programa: Aleksandra Sekulić
U misiji mapiranja aktuelnih centara i inicijativa u produkciji videa i u polju novih medija u regionu, Videografija regiona je višegodišnju aktivnost bazirala na razmeni i saradnji. Ova selekcija prikazuje različite nivoe i polja video produkcije, i na koji način se ova produkcija u Srbiji obogaćuje u međunarodnoj saradnji, ispitivanjem inovativnih tehnika i kombinovanja iskustva filma, književnosti, animacije, stripa i različitih umetničkih i medijskih praksi.
Marianne Holm Hansen: Repeat After Me (Common words and phrases), 2008, Serbia/Great Britain, 6:09
Video engages the limited phrases found in traveler’s guidebooks, and the repetitive format of language learning, to consider the culture of language and the potential of the tourist experience.
Screened at:
Video in Progress – Fields of the Performative (as Video Library), Vortex, Skopje, Macedonia (18 – 21 May 2010)
Screening 1, The Public, West Bromwich, UK (March 13 – April 25 2010)
Video in Progress – Fields of the Performative, Kino Siska, Ljubljana (20 October – 15 November 2009)
Common Ground, Norwich Arts Centre, Norwich, UK (10 November 2009)
DARKLIGHT X: New World Order, Darklight Festival, Dublin (8 – 10 October 2009)
Recycled Frequencies, Wolstenholme Projects, Liverpool (24 – 31 May 2009)
The 5th Berlin International Directors Lounge, Scala, Berlin (5-15 February 2009)
Video Lounge at Alternative Film and Video – Memory, Academic Film Center, Belgrade (10-14 December 2008)
Marijana Markoska: Antigena (Antigene), 2009
Trajanje: 4′ 33”
Sinopsis:
Ovo je “genetski modifikovana” antička pozorišna predstava poznata kao Sofokleova Antigona. Na prvi pogled neočekivana glumačka postava sastoji se od dece, koja s punom ozbiljnošću tumače segmente ove klasične tragedije.
The “genetically modified” ancient Greek play “Antigone” by Sophocles. At first glance an unexpected cast consists of children interpreting segments of this classic tragedy in full seriousness.
Screenings:
Galerija Ozon, Beograd, april 2010,
SKC, Belgrade, 2009
Beogradski festival dokumentarnog i kratkometražnog filma 2010
Arjan Brentjes: Belgrade, 2009, Srbija/Holandija, 25:00
Sinopsis:
Ispred svog studija u Amsterdamu 1950-ih, strip umetnik Arjan Brentjes je kidnapovan i transportovan u savremeni Beograd. Tamo misle da je on agent De Vries, strip junak koga je stvorio Arjan Brentjes i smatraju ga odgovornim za NATO bombardovanje Beograda 1999. godine.
Just outside his studio, in 1950′s Amsterdam, comic book artist Arjan Brentjes is kidnapped and transported to present day Belgrade. There he’s taken for his own cartoon character Agent de Vries and held responsible for the NATO bombings of 1999.
Screenings
Beogradski festival dokumentarnog i kratkometražnog filma 2010
NamaTRE.ba Festival, Trebinje, 2009
Kosmoplovci: Wdiol, Srbija/Serbia 2009, 10:00
Kosmoplovci: “The computer and the mind of man – program I – logic by machine / the persistence of memory”, 2010, 17:00
Predstavljanje rada grupe Doplgenger: Razgovor sa Boškom Prostranom
1. Voices_Gazes_Traces [Video installation, 8' 34", 2009]
The piece Voices_Gazes_Traces as expanded cinema deals with feminist concept of writing here transposed to film medium. It is a study of the screen history and contemporary placement of ‘Woman as film Icon’.
Samostalna izložba, galerija Remont, decembar 2009
2. SURPLUS [2008; experimental film; 5’ 40”]
Formally intervening with found footage of commercials, this experimental video allows one to rethink image while creating narrative which discovers one of many skillfully covered senses of media images. As the title suggests this video performs Lacan’s opinion that in contemporary capitalism ‘surplus value’ is no longer capitalized for later libidinal enjoyment – nowadays surplus value is re-invested in production process.
Awarded on Alternative film/video 2008
3. CODE [2007; video art; 5’ 20”]
Video art Code is homage to Alain Resnais’ film Last Year in Marienbad. It questions relation between language and empty spaces. The place witnesses the identity and history but place is only a group of elements existing in certain order. Walkers transform place into space by their presence and movement. A word, like a place, is unidentifiable but in act of speech, surrounded by different elements, it becomes multiply term and language creates the meaning.
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